Wednesday, July 29, 2015

'Fargo' Season 2 Premiere - 5 Quick Reactions



On Monday (July 27) afternoon, FX informally kicked off the Summer TCA Press Tour with a number of screenings of the Season 2 premiere of "Fargo."

We're two-plus months away from the actual "Fargo" premiere, which will be announced when FX presents at press tour on August 7 and FX has already told us that we'll have three or four episodes to watch before we review the new season. In a series as marvelously novelistic as "Fargo" -- Season 1 was my No.1 show of 2014 -- I wouldn't even want to write a full review on the basis of just one episode.

However, I've got no hesitation about writing a handful of bullet points on what was and still is my most anticipated returning show of the fall.

So let's go...

Sunday, July 26, 2015

Take Me To The Pilots '15: CBS' 'Code Black'


[You know the drill, and I will continue to mention it in each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews may be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]

Show: "Code Black" (CBS)
The Pitch: "Los Angeles Med" or "LA-ER"
Quick Response: I could probably just file "Code Black" under "Sturdy medical dramas that will fill a gaping TV hole for some, but won't be necessary for me," but that would require that I have a needlessly complicated filing system, which I don't. Well directed by David Semel, the "Code Black" pilot has a distinctive look, almost as if it were shot through a chartreuse filter with light oversaturated throughout, and captures the chaos of an emergency room nicely, even if the sort of aesthetic genre reinvention of the "E.R." pilot isn't in the cards. Creator Michael Seitzman is also invested in the chaos, crafting an ER in which it's endlessly repeated that every second is the difference between life and death, but every doctor can spare a minute to pontificate on matters of curative decorum, or to provide a key piece of expositional biographical detail. Like there are a lot of walk-and-talk moments in this pilot, but there may be nearly as many inappropriate-pause-and-talk moments, when all that viewers are likely to want after the pilot are scenes of Luis Guzman's senior nurse leading ER tours and sequences in which Marcia Gay Harden and Raza Jaffrey's docs bicker about medical ethics. The first-year residents all get a character detail or two and none of them feel like anything more than window dressing after the first episode. The hook of "Code Black" is to be spending time in a Los Angeles area emergency room at its moments of greatest intensity, but the scenes likely to have the greatest impact are when it cheats. The key action set piece involves a surgery performed in the midst of freeway traffic that feels like it was yanked from a different show. And the episode ends with a piece of emotional pandering that's simultaneously excruciating in its contrived mawkishness, but also probably has a blunt force effectiveness that will leave many viewers sobbing. Look, there's an audience that craves the sort of medical drama in which people say things like "Life is measured here in split seconds. Hesitate and people die." over and over again, but perhaps also the sort of medical drama that isn't necessarily about which pretty doctors are sleeping with which other pretty doctors and that's not a value judgment about "Grey's Anatomy" on any level. Here, the pretty doctors don't have time to flirt, but they periodically get sprayed by arterial blood, which never damages their prettiness. This is, as I said above, a good showcase for Luis Guzman, even if he dominates the pilot's opening minutes and then is essentially MIA or useless for the last 30 minutes. It's also a good vehicle for Marcia Gay Harden, who creates near-effortless authority with a bare minimum of character. [It's also funny to think that Harden was originally supposed to play the role now taken by Bonnie Somerville and that Harden's role was set for Maggie Grace.] The other actors are mostly just there and only Ben Hollingsworth leaves a negative impression, though I think that's just a poorly written character, rather than a performance problem.
Desire To Watch Again: Shrug. This is a decent pilot, but it's a decent in a genre that I haven't necessarily been missing in my viewing rotation. If you have? It's decent! "Code Black" looks good and has a couple good performances and assuming you aren't me, you probably won't be offended by the manipulative trickery in the last 15 minutes. I'll probably tune in for a second episode, but not necessarily a third.

Take Me To The Pilots '15: ABC's 'Blood and Oil' aka 'Oil Tree Hill'
Take Me To The Pilots '15: CBS' 'Life in Pieces'
Take Me To The Pilots '15: NBC's 'People Are Talking'
Take Me To The Pilots '15: FOX's 'Rosewood'
Take Me To The Pilots '15: CBS' 'Limitless'
Take Me To The Pilots '15: ABC's 'Dr. Ken'
Take Me To The Pilots '15: NBC's 'Blindspot'
Take Me To The Pilots '15: FOX's 'Grandfathered'
Take Me To The Pilots '15: CBS' 'Angel From Hell'
Take Me To The Pilots '15: ABC's ' 'Quantico'
Take Me To The Pilots '15: NBC's ' 'The Player'
Take Me To The Pilots '15: FOX's ' 'The Grinder' 
Take Me To The Pilots '15: CBS' 'Supergirl'
All of my 2014 Take Me To The Pilots Entries
All of my 2013 Take Me To The Pilots Entries
All of my 2012 Take Me To The Pilots Entries
All of my 2011 Take Me To The Pilots Entries
All of my 2010 Take Me To The Pilots Entries

Saturday, July 25, 2015

Take Me To The Pilots '15: ABC's 'Blood and Oil' aka 'Oil Tree Hill'


[You know the drill, and I will continue to mention it in each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews may be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]

Show: "Blood and Oil" (ABC)
The Pitch: "Oil Tree Hill" has replaced "The Nate Archibald & Cappie Oil Hour" as my title for this one.
Quick Response: "Blood and Oil" may be my biggest disappointment of the fall, but it's entirely possible that the disappointment is built entirely on my flawed expectations and not on the series itself. I've seen "The Overnighters" and several other New American Boomtown documentaries, so I know that there's an awesome, high-stakes human story developing in the Dakotas that can be told sensationally with only minor soap-y embellishment, think "Deadwood 2015." But "Blood and Oil" wants to be "Longitudinally Elevated Dallas" and nothing more. It's a choice that is totally valid, but if you go in wanting cable-style nuance and grounding from "Blood and Oil," you'll probably laugh for five minutes and quit. If you go in expecting "Nashville" -- a more logical expectation, I admit -- well, there's guilty pleasure potential here, I guess. [Note that for a soap opera, "Blood and Oil" isn't vaguely steamy. Dunno if that's a directing problem, a lack of chemistry between actors or what.] If "Blood and Oil" wanted to be better, it needed a leading man less bland than Chace Crawford though, in the interest of full credit, Crawford is more plausibly human here than he ever was on "Gossip Girl." Scott Michael Foster fares a bit better because Cappie is playing Evan -- You're welcome, "Greek" fans -- or at least Unreconstructed Evan, as a petulant rich boy with daddy issues. The high stakes -- it's right there in the title -- don't give Rebecca Rittenhouse the chance to showcase the humor that was her best asset on "Red Band Society," but she's still got a '50s ingenue kinda wide-eyed expressiveness about her that I dig and that could find purchase here. Early footage made it look like Don Johnson was playing the JR here, but at least in the early going it's nothing nearly that fun, but at least he's sturdy. Delroy Lindo is horribly, tragically, inexplicably underused in the pilot, but "Horribly, Tragically, Inexplicably Underused" could be the title of Delroy Lindo's autobiography. I recommend more Delroy Lindo going forward. I also recommend either steering away from the Native American stuff or doing it better, because the line "Whoever kills a spirit animal is cursed" from a never-seen-again NA character got my biggest laugh from any drama or comedy pilot this year. There are a lot of giggles in the "Blood and Oil" pilot, actually, a lot of heightened drama moments that play a bit more silly than perhaps intended, but one man's giggle is another man's (or woman's) giddy glee when it comes to slo-mo flipping cars or grown men mud-wrestling. At least the reactions are visceral, eh? I mean, I wanted provocative and "Blood and Oil" provokes.
Desire To Watch Again: Now that I know not to expect "Oil Tree Hill" to be GOOD, I'm perfectly willing to watch a couple more episodes. I watched two seasons of "Revenge," three seasons of "Nashville" and I'll watch some of this as well for the parts of the cast that I like. The pilot also ends with a good cliffhanger, or at least a cliffhanger that I'm curious to see resolved.

Take Me To The Pilots '15: CBS' 'Life in Pieces'
Take Me To The Pilots '15: NBC's 'People Are Talking'
Take Me To The Pilots '15: FOX's 'Rosewood'
Take Me To The Pilots '15: CBS' 'Limitless'
Take Me To The Pilots '15: ABC's 'Dr. Ken'
Take Me To The Pilots '15: NBC's 'Blindspot'
Take Me To The Pilots '15: FOX's 'Grandfathered'
Take Me To The Pilots '15: CBS' 'Angel From Hell'
Take Me To The Pilots '15: ABC's ' 'Quantico'
Take Me To The Pilots '15: NBC's ' 'The Player'
Take Me To The Pilots '15: FOX's ' 'The Grinder' 
Take Me To The Pilots '15: CBS' 'Supergirl'
All of my 2014 Take Me To The Pilots Entries
All of my 2013 Take Me To The Pilots Entries
All of my 2012 Take Me To The Pilots Entries
All of my 2011 Take Me To The Pilots Entries
All of my 2010 Take Me To The Pilots Entries

Friday, July 24, 2015

Take Me To The Pilots '15: CBS' 'Life in Pieces'


[You know the drill, and I will continue to mention it in each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews may be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]

Show: "Life in Pieces" (CBS)
The Pitch: "Mo' Modern Familyhood"
Quick Response: "Life in Pieces" is weirdly proud of doing what family sitcoms have been doing... forever. The subhead boasts "One big family. Four short stories. Every week." So... You mean it's a family sitcom with an A-story a B-story a C-story and a D-story? How revolutionary. I guess the hook is that the stories are told individually and then maybe they come together in a fourth concluding story? It's hard to tell, because the pilot for "Life in Pieces," directed by Jason Winer as if you didn't have enough reasons for "Modern Family" comparisons, actually struggles to gel the storylines in a meaningful narrative or thematic way and also has no connection to early loglines for the show, which mentioned using different perspectives within the family to tell single stories. "Life in Pieces" has all of these fancy ideas about what it is or isn't, which blur the line pointing to what it actually appears to be: A comedy pilot with perhaps the best cast of any new show this season and a couple decent laughs and at least the pretense of some underlying family drama. I'd honestly scrap whatever structural innovation the show is pretending to have in order to concentrate on what would probably be the "best self" for "Life in Pieces," which is a half-hour version of "Parenthood" -- you've even got Dianne Wiest, for heaven's sake, if you want continuity to the movie -- with the balance shifted to laughs. Nobody associated with "Life in Pieces" would want to admit it, but you have Wiest and James Brolin standing in for Zeek and Camille Braverman, Dan Bakkedahl and Betsy Brandt in for Adam and Kristina, Colin Hanks and Zoe Lister-Jones as proxies for Julia and Joel (this is the flimsiest comparison) and Thomas Sadowski and Angelique Cabral as the Crosby and Jasmine. It's almost eerie when you step back. "Life in Pieces" is, in fact, like so many familiar shows and features so many actors that you probably like already that you can slide into the pilot with amazing comfort and you don't require any getting-to-know-you exposition, which is a tremendous relief. And none of the actors is being asked to stretch tremendously -- Betsy Brandt playing light may surprise you if you missed "The Michael J. Fox Show" and Dan Bakkedahl playing less of a sad-sack than usual is also nice -- so it's even easier to just sign on for this as a family. "Life in Pieces" doesn't feel much like a CBS sitcom, both because of the single-cam trappings and because of a certain coarseness that particularly rears its head in the Hanks/Lister-Jones story and maybe because this isn't what CBS does normally, nobody in development was able to tighten the punchlines to get a couple more laughs. And for reasons of style and tone, it's going to be a bad match with "The Big Bang Theory," even if CBS wants to use its multi-cam hit to encourage people to watch "Life in Pieces." But if this were airing in ABC's Wednesday comedy lineup, it would feel like another promising family half-hour. So I guess my non-review bottom line here is, "The allegedly innovative structure is either a total MacGuffin or just poorly deployed, but otherwise, this feels less like a pilot and more like an middle-of-the-road episode of a long-running series that I mostly enjoy with a cast that I mostly love." That implies that there are better episodes ahead for "Life in Pieces."
Desire To Watch Again: Reasonable. Why not? I'll watch to see if the structure has any ongoing purpose. Mostly, I'll watch for the cast. There's a really good comedy here... in pieces. It's just OK for now. Let's see if it comes together down the road.

Take Me To The Pilots '15: NBC's 'People Are Talking'
Take Me To The Pilots '15: FOX's 'Rosewood'
Take Me To The Pilots '15: CBS' 'Limitless'
Take Me To The Pilots '15: ABC's 'Dr. Ken'
Take Me To The Pilots '15: NBC's 'Blindspot'
Take Me To The Pilots '15: FOX's 'Grandfathered'
Take Me To The Pilots '15: CBS' 'Angel From Hell'
Take Me To The Pilots '15: ABC's ' 'Quantico'
Take Me To The Pilots '15: NBC's ' 'The Player'
Take Me To The Pilots '15: FOX's ' 'The Grinder' 
Take Me To The Pilots '15: CBS' 'Supergirl'
All of my 2014 Take Me To The Pilots Entries
All of my 2013 Take Me To The Pilots Entries
All of my 2012 Take Me To The Pilots Entries
All of my 2011 Take Me To The Pilots Entries
All of my 2010 Take Me To The Pilots Entries

Thursday, July 23, 2015

Thoughts on the 'Wayward Pines' finale - 'Dear abbie...'



When FOX's "Wayward Pines" premiered in May, I was positive, albeit with some tempering.

Through six of the event series' 10 episodes, I felt like showrunner Chad Hodge and company had pretty successfully improved upon Blake Crouch's thin-as-a-literary pancake book trilogy, adding some extra layers to the source material and visualizing the tricky world nicely.

The first five episodes were basically Crouch's first book and I thought the way the series handled the improbable twist reveal was perhaps the biggest improvement of all, building a multi-tiered mystery out of Ben and Ethan's near-simultaneous discovery, as well as Theresa's increasing inquisitiveness. I also liked the heavily expositional sixth episode, which was driven by great flashback work.

At the time, I thought "Wayward Pines" was a fun summer thriller with the potential to be something more than that if it found a way to resolve itself that was more satisfactory than Crouch's two-books-of-filler approach.

Thursday (July 23) marked the finale either for the first season of "Wayward Pines" or, more likely, for the one-and-done event series it was always announced as.

And the final judgement?

[Obvious spoilers coming... Read on...]

Take Me To The Pilots '15: NBC's 'People Are Talking'


[You know the drill, and I will continue to mention it in each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews may be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]

Show: "People Are Talking" (NBC)
The Pitch: "All in the Family: Couple's Edition"
Quick Response: I can tell that there are conversations that creator DJ Nash wants to have here that are, if not revolutionary, at least interesting. The premise is that Russell (Tone Bell) & Angie (Bresha Webb) and Mitch (Mark-Paul Gosselaar) & Tracy (Vanessa Lachey, eventually, but Meaghan Rath in the original pilot sent to critics) are couples who like to have Big & Edgy Conversations about race and religion and gender and relationships and that they mean well, even if they don't always know the right things to say or the right way to say them. Nothing in the pilot feels like "People Are Talking" is giving the edge of the envelope a gigantic push, but the desire to show conversations people might really have is in earnest and I credit it for that, even if the pilot has to be inevitably bland and dated in its targets. To get a more hearty endorsement, "People Are Talking" would have to be actually funny, which it isn't. The ability to be "funny" gets lost between "Aren't we outrageous!" and "But we're not actually racist/sexist/whatever, so please don't worry!" It's like if every time Archie Bunker said something awful, he quickly turned to Meathead and said, "No, but seriously what would African-Americans prefer I call them?" and Gloria turned to the camera and said, "My dad's just doing the best he can!" It's neither politically correct, nor butting against notions of political correctness. It's just genial button-pushing, which doesn't go far, but with a big assist from the cast, it could have potential if it advances FAST. Tone Bell was the best part of NBC's "Bad Judge" and he's the best thing here, though he has all of the lines you can tell Nash is proudest to have written, which is both a good and a bad thing. Bell has good rapport with Bresha Webb, the cast member I know least. Mark-Paul Gosselaar seems to be having fun playing a nerdy and sheepish guy, relishing simultaneously looking like Zack Morris, but having other characters pretend he doesn't. I'm sad to see Rath go, because she brings a brightness to comedies, a charm and liveliness that isn't the same as simply being beautiful, as the show may well learn when Lachey takes over. The show is determined to concentrate on its four characters in different pairings and permutations, but when it comes to the pilot, that means a lot of expositional dialogue rather than showing things, so Mitch tells Russell "Are you really upset about this, or is this a bit for your stand-up?" and Russell tells Mitch, "Professor, you're not teaching your ethics class right now" and somebody thinks that's better writing than showing Russell do stand-up or Mitch in the classroom. I disagree, but maybe we'll move past that in Episode 2.
Desire To Watch Again: Vanessa Lachey has displayed hints of being comedically game in the past and I definitely will watch a revised pilot, plus an episode or two to see if "People Are Talking" becomes fresher and sharper and, most importantly, funnier outside of the partially excusable embalmed pilot structure. A show can mean well, but if it doesn't do comedy better than this, I won't stick around.

Take Me To The Pilots '15: FOX's 'Rosewood'
Take Me To The Pilots '15: CBS' 'Limitless'
Take Me To The Pilots '15: ABC's 'Dr. Ken'
Take Me To The Pilots '15: NBC's 'Blindspot'
Take Me To The Pilots '15: FOX's 'Grandfathered'
Take Me To The Pilots '15: CBS' 'Angel From Hell'
Take Me To The Pilots '15: ABC's ' 'Quantico'
Take Me To The Pilots '15: NBC's ' 'The Player'
Take Me To The Pilots '15: FOX's ' 'The Grinder' 
Take Me To The Pilots '15: CBS' 'Supergirl'
All of my 2014 Take Me To The Pilots Entries
All of my 2013 Take Me To The Pilots Entries
All of my 2012 Take Me To The Pilots Entries
All of my 2011 Take Me To The Pilots Entries
All of my 2010 Take Me To The Pilots Entries

Firewall & Iceberg No.292 - 'Hannibal,' 'Orange Is The New Black' and more


I forgot to post this here yesterday, but a new installment of The Firewall & Iceberg Podcast is up over at HitFix.

Because we lost a 30-minute segment that we recorded on Emmy nominations, our revised Emmy nomination discussion is a little bit disjointed, but it probably covers some of the necessary ground, what with the nominations going out last week and all.

We talked about the third season of "Hannibal" at the midpoint, why I think the generally superb show has stumbled a bit this summer, but why I've still appreciated it.

Since Alan finished "Orange Is The New Black" Season 3, we also chatted about the whole Netflix season, though if we forgot to talk about your favorite story arcs, I apologize.

Firewall & Iceberg Podcast No.292.

Wednesday, July 22, 2015

Take Me To The Pilots '15: FOX's 'Rosewood'


[You know the drill, and I will continue to mention it in each and every one of these posts that I do: This is *not* a review. Pilots change. Sometimes a lot. Often for the better. Sometimes for the worse. But they change. Actual reviews may be coming in September and perhaps October (and maybe midseason in some cases). This is, however, a brief gut reaction to not-for-air pilots. I know some people will be all "These are reviews." If you've read me, you've read my reviews and you know this isn't what they look like.]

Show: "Rosewood" (FOX)
The Pitch: "We need something to air with 'Empire.'" "Something compatible?" "Meh. Only on the most superficial level."
Quick Response: Not to accuse FOX of scheduling-by-profiling, but "Rosewood" has essentially been scheduled in a slot paired with breakout smash "Empire" because star Morris Chestnut is African-American and not because anything in the tone, style, structure, pacing or... anything is really joining the shows together. Despite the Miami setting and occasionally flashy director Richard Shepard behind the camera, "Rosewood" is a pretty bland affair, more compatible with TNT or Blue Skies USA's brand of procedurals than any recent FOX successes in general or FOX's midseason breakout Wednesday smash "Empire" in specific. Chestnut's Dr. Beaumont Rosewood, Jr. -- it's a name that stays hilarious in each nickname and variant -- is a Private Pathology Consultant, something I know both because the character puts up billboards all around Miami and because he has to keep repeating his professional specifics, because if you don't remember those key distinctions -- "private" and "consultant" in particular -- you'd never guess what the hook was that attracted creator Todd Harthan to this character and this world. The point is that "Rosie" doesn't work for the Miami PD, but he often works with them, so it's a different relationship than it would be if he were just a police pathologist. And because he's able to take his money and channel it directly into his business, he has fancy toys which, at least in the pilot, are only a little thrilling. "Rosewood" may conceivably be hamstrung by being too pseudo-realistic, because nothing Rosie does in the pilot is anything you haven't seen a TV pathologist do before, usually with fabulously flashy gizmos that don't exist yet. But Rosie does it and you go... Shrug. Rosie is also, to put it kindly, really annoying. He's got an array of medical issues that leave him talking about how much he loves life and savors each moment, but he does it with a cocky, optimistic smugness that we're supposed to find lovable because they're coming from Morris Chestnut. And I guess I'm pleased that this is the meatiest role that Chestnut has been given in years and he surely has the swagger of a star, but I don't think the admire-to-pity-to-empathize ratio with Rosie is properly calibrated in the early-going, especially as relates to the supporting characters. I didn't buy his interest in newly returned Miami Detective Villa (Jaina Lee Ortiz), which is bad because it's one of the character's key humanizing relationships. His care for a young girl in his building -- "Ben & Kate" vet Maggie Elizabeth Jones' Bella -- is just straight-up pandering and never feels developed. And it's hard to get what's happening with Rosie's grumpy mentor, played by Clancy Brown. These relationships all fail even though the characters are all reading expositional dialogue at each other, announcing each other's credentials and whatnot. At every stage, I think this pilot needed more development, but FOX needed contenders to go with "Empire" even more.
Desire To Watch Again: Almost none. If the clunkiness and kinks get worked out, I'm still not sure that "Rosewood" plays as more than a generic procedural and it's nowhere near that yet. Some viewers, though, will probably appreciate Rosie's optimism over the familiar House/Rake FOX procedural grumps. And plenty of viewers will be happy just to look at Morris Chestnut. So be it.

Take Me To The Pilots '15: CBS' 'Limitless'
Take Me To The Pilots '15: ABC's 'Dr. Ken'
Take Me To The Pilots '15: NBC's 'Blindspot'
Take Me To The Pilots '15: FOX's 'Grandfathered'
Take Me To The Pilots '15: CBS' 'Angel From Hell'
Take Me To The Pilots '15: ABC's ' 'Quantico'
Take Me To The Pilots '15: NBC's ' 'The Player'
Take Me To The Pilots '15: FOX's ' 'The Grinder' 
Take Me To The Pilots '15: CBS' 'Supergirl'
All of my 2014 Take Me To The Pilots Entries
All of my 2013 Take Me To The Pilots Entries
All of my 2012 Take Me To The Pilots Entries
All of my 2011 Take Me To The Pilots Entries
All of my 2010 Take Me To The Pilots Entries